Evolution music – Evolution International http://evolutioninternational.net/ Tue, 02 Nov 2021 10:23:18 +0000 en-US hourly 1 https://wordpress.org/?v=5.8 https://evolutioninternational.net/wp-content/uploads/2021/11/icon-120x120.jpg Evolution music – Evolution International http://evolutioninternational.net/ 32 32 Why brands and mass market retailers compete https://evolutioninternational.net/why-brands-and-mass-market-retailers-compete-2/ https://evolutioninternational.net/why-brands-and-mass-market-retailers-compete-2/#respond Tue, 02 Nov 2021 08:02:28 +0000 https://evolutioninternational.net/why-brands-and-mass-market-retailers-compete-2/ Ask a true retail visionary how the online / offline shopping experience will evolve over the next three years, and you might not get the answer you expect. Louis Borders, founder of the pioneering Borders Books & Music chain, as well as the Webvan grocery delivery service that came and went with the dot-com bubble […]]]>

Ask a true retail visionary how the online / offline shopping experience will evolve over the next three years, and you might not get the answer you expect.

Louis Borders, founder of the pioneering Borders Books & Music chain, as well as the Webvan grocery delivery service that came and went with the dot-com bubble burst of 1999, now runs Global HDS – an acronym for its “home delivery service” which uses robotics and a mass brand-centric mindset to reconnect retail.

While he said the advent of inventory management systems has allowed merchants like Walmart, Target and Amazon to grow beyond what would otherwise have been possible, he said the next wave of transformation – starting with groceries – will begin to threaten today’s retail titans as early as 2025..

“There is a war of the worlds going on, and it goes beyond technology,” Borders told Karen Webster in an interview. “It’s like a hundred year war between brands and mass merchants. Brands don’t like mass merchants, and I say this very politely.

Noting the habit of large retailers adopting fakes – and the brand’s reaction to limiting variety to fight back – he said he was seeing something new: custom, purpose-built platforms that only sell brands. renowned, without venturing into more lucrative (but less desirable) activities. -brand options.

Citing the famous business book “Crossing the Chasm”, which argues that 15% market penetration is the threshold at which companies and sectors can move from niche to mass status, Borders came back to Webvan’s time to make his point.

“Here we are 20 years later, and [grocery is now] at 15%, ”he said. “He’s ready to take the next step, but the technology isn’t there. There is no one solution specifically designed to provide customers with price, convenience and selection online.

While the world’s Amazons, Instacarts, and Walmarts would likely disagree, Borders said he believes these e-commerce giants can be overtaken by lighter competitors built from the ground up to meet the desires of frustrated consumers. aspects of electronic commerce, starting with groceries.

The PYMNTS data matches. According to the How We Eat guide, a Fiserv Carat collaboration, “The rise in online food and grocery shopping offers grocers and restaurants a huge opportunity to gain new customers, but much of it depends on their ability to deliver pickup and delivery experiences that meet the rapidly changing expectations of online shoppers. “

Get the study: The How We Eat Playbook

Aim for price, convenience and selection

Saying physical retail “can’t just do a little better than what it does; they have to reinvent, ”Borders envisions a 2025 where physical stores are much smaller and act more as“ demo hubs ”for experimenting with goods that people will likely end up buying online.

As for his ideas on reinventing e-commerce, grocery shopping is the first step in the HDS Global plan, but Borders said he believes it takes more than food to ‘cross the chasm’ and adapt. to the size of the company.

“Mixed stores are what people want,” he said. “It’s more convenient. When Walmart became a combo store, it was the same size as Target. Then it added groceries and general merchandise, and it’s now seven times longer than Target. , the combined store wins, but nobody built it, still not today [online]. It’s incredible.”

Filling in the gaps that Amazon, Walmart and others have left open, Borders described the winning trifecta for a new e-commerce model.

“The way of thinking would be the dimensions of price, convenience and selection,” he said. “If you have a specially designed solution, it should be able to deliver at store price at no cost. You can even get better prices because the stores are expensive to run. We are now at 15% for groceries. If we can get in for the price, then 85% of the market is ready. But you have to give them the price.

On concepts like convenience, Borders said home delivery will still be a core proposition in 2025, but it will also mean bringing items into your kitchen or offering reusable containers during a brief meeting with a delivery guy who looks like to the milkman’s visits a generation ago.

Calling it a move towards “a very personal retail service,” he added that “it’s more of a ‘store of everything’ than Amazon in some ways because there are more branded products.”

Read the report: The economy of bring it to me

Connected simplicity will win

While he believes robotics, the lack of physical store overheads and a strict focus on established consumer brands will help grocery stores cross the chasm, followed by mixed merchandise, depends a lot on the support of the brands themselves. to beat the best in the business.

“If you walk into a target, you won’t see a single Nike shoe,” he said. “It’s fascinating to me. If you go to Amazon, you won’t see any L’Oréal products except counterfeits and affiliates. You can’t get the goods you want from mass merchants because as much as they can, [brands] limit what they sell to mass merchants. They need them, but they don’t like them.

As a result, Borders said he intends to be the first mass merchant who will not offer his own private label inventory, but will instead be in the “brand camp”.

Borders may be wary of mass merchants, but he’s optimistic about the future of so-called super apps and the growing role and opportunities they have.

“If you think of all the people you buy from as sellers, you probably have hundreds,” he said. “You face this incredibly complex life of managing all of these vendors. So anyone who can come up with a more complete solution will be a winner. Life is complex and people want fewer suppliers.

While Borders has said he believes the changes to large retail stores and grocery chains won’t happen quickly and will still be around in 2025, so will other issues plaguing currently the system.

“COVID shed light on the supply chain, [but] customers don’t care about the supply chain; they care when [goods] are on their doorstep, ”he said. “Now we have stockouts, horrible service levels, substitutions and high prices [on major eCommerce sites], and I think you’re going to see more and more of it. It’s not going to be fixed in three years.

Read also: New data shows vacation spending in 2021 depends on availability, ease and satisfaction

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NEW PYMNTS DATA: 2021 HOLIDAY SHOPPING OUTLOOK

On: It’s almost time for the holiday shopping season, and nearly 90% of US consumers plan to do at least some of their purchases online, 13% more than in 2020. The 2021 Holiday Shopping Outlook, PYMNTS surveyed over 3,600 consumers to learn more about what drives online sales this holiday season and the impact of product availability and personalized rewards on merchant preferences.


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LeBron James will take you for a ride in the Hummer EV (sort of) https://evolutioninternational.net/lebron-james-will-take-you-for-a-ride-in-the-hummer-ev-sort-of/ https://evolutioninternational.net/lebron-james-will-take-you-for-a-ride-in-the-hummer-ev-sort-of/#respond Tue, 02 Nov 2021 07:55:00 +0000 https://evolutioninternational.net/lebron-james-will-take-you-for-a-ride-in-the-hummer-ev-sort-of/ If you have someone like LeBron James for your product, you better get the most out of it. GMC released a brand new commercial with King James, featuring the reinvented, fully electrified Hummer EV, and it’s just as dramatic as you’d probably imagined. It’s also the closest thing to taking a ride in the Hummer […]]]>

If you have someone like LeBron James for your product, you better get the most out of it. GMC released a brand new commercial with King James, featuring the reinvented, fully electrified Hummer EV, and it’s just as dramatic as you’d probably imagined.

It’s also the closest thing to taking a ride in the Hummer EV with King James himself.

LeBron was the face of the Hummer VE since the start of the year, when he appeared in the Super Bowl commercial. He has since made several appearances as a spokesperson, including a tour of what was believed to be his own Edition 1 pickup.

The last announcement, “Electricity of playing time” connects James’ outstanding performance in the field to the capabilities of the Hummer EV, with the tagline, “Don’t just show up to the game. Change it forever. The idea is obvious but no less effective: Hummer is back after decades, and he’s here to do serious business. We are talking about a duo that will not be content to be consistent.

As James drives his electric van at the game, potential future owners are treated with some of his most impressive features. Naturally, this includes the unique CrabWalk mode that allows the Hummer to glide sideways out of tight spots, and the ability to switch from front-wheel drive to all-wheel drive. Apple CarPlay integration and generous frunk are also highlighted, in a similarly not-so-subtle way, with booming music, a motivating voiceover story, quick cuts, and visuals so dark as to make Zack. Snyder jealous.

“The electricity of playing time” is as subtle as an elephant in a china shop, but it’s on purpose. Here’s a well-priced all-electric pickup truck (with an internal combustion engine), packed with sophisticated features that take it away from its military-derived Spartan predecessor. It’s there to cause a stir, so the overly dramatic feel of the ad feels on point.

The Hummer EV Edition 1 will start shipping at the end of 2021, but all units are already sold out. Fake-riding with LeBron James is the closest thing to the real thing, at least for a while.


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“Verzuz” hosts the “Call Of Duty” tournament with Big Boi and Big Sean against Lil Jon and Lil Tecca https://evolutioninternational.net/verzuz-hosts-the-call-of-duty-tournament-with-big-boi-and-big-sean-against-lil-jon-and-lil-tecca/ https://evolutioninternational.net/verzuz-hosts-the-call-of-duty-tournament-with-big-boi-and-big-sean-against-lil-jon-and-lil-tecca/#respond Tue, 02 Nov 2021 06:52:27 +0000 https://evolutioninternational.net/verzuz-hosts-the-call-of-duty-tournament-with-big-boi-and-big-sean-against-lil-jon-and-lil-tecca/ Verzuz Gamez announced the Call of Duty: Vanguard tournament hosted by T-Pain, including performances by Migos. The Verzuz brand continues to evolve by entering the gaming industry. ##> ##> ##>##>##>##> ##> See this post on Instagram##>##>##> ##> ##> ##>##> ##> ##>##> ##> ##> ##>##>##> ##> ##>##> A post shared by VERZUZ (@verzuztv) ##> ##> Verzuz […]]]>



Verzuz Gamez announced the Call of Duty: Vanguard tournament hosted by T-Pain, including performances by Migos.

The Verzuz brand continues to evolve by entering the gaming industry.


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Verzuz started out as something to do in quarantine – artists were unable to perform and tour, fans were temporarily stuck at home. No concerts, no shows, festivals, nothing. That was until Verzuz came in and got the party started again.

What started as an online battle between Timbaland and Swizz Beatz turned into a live performance with the dancehall clash between Bounty Killer and Beenie Man. The format advanced to new heights again after the success of battles like The Lox vs. Dipset live at Madison Square Gardens and KRS-One vs. Big Daddy Kane live from Barclays Center.

Now. the Verzuz team is further expanding its reach with the announcement of the Verzuz Gamez tournament. Verzuz has revealed that they will be hosting a world premiere of Call of Duty: Vanguard. T-Pain will host the multi-round gameplay tournament with players including Lil Jon and Lil Tecca vs. Big Boi and Big Sean. See what they did there?

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The flyer also reveals a special Migos performance “This WEDNESDAY @CallOfDuty #Vanguard World Premiere !!! Special musical performance by @MIGOS !!! Also a gameplay tournament with some of the HIP-HOP favorites 👀👀 AND many more surprises !! ”

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The tournament is scheduled to take place on Wednesday (November 3) from 6:00 p.m. to 9:00 p.m. PDT and will be broadcast on various platforms – check the flyer for details.

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3 Red Hot Meta Coins to Watch After Facebook’s Meta Evolution https://evolutioninternational.net/3-red-hot-meta-coins-to-watch-after-facebooks-meta-evolution/ https://evolutioninternational.net/3-red-hot-meta-coins-to-watch-after-facebooks-meta-evolution/#respond Tue, 02 Nov 2021 06:12:50 +0000 https://evolutioninternational.net/3-red-hot-meta-coins-to-watch-after-facebooks-meta-evolution/ Facebook (NASDAQ:FB) the recent rebranding is sparking interest in the metaverse, opening up a new dimension of online interaction that investors can take advantage of. While some love Meta – the future of the social media giant – others want something a little more decentralized. This means that a handful of so-called meta coins are […]]]>

Facebook (NASDAQ:FB) the recent rebranding is sparking interest in the metaverse, opening up a new dimension of online interaction that investors can take advantage of. While some love Meta – the future of the social media giant – others want something a little more decentralized. This means that a handful of so-called meta coins are starting to reap the rewards.

Facebook’s rebranding last week to Meta marks a turning point in which Facebook hopes to create the future of social media. CEO Mark Zuckerberg unveiled the the company’s plans to bring users into the metaverse, which is a three-dimensional virtual experience. You can sit in a virtual conference room and meet colleagues from your home, you can attend virtual concerts or teleport to your friends and chat virtually. It’s kind of a sandbox version of reality, where you can do whatever you want.

Rather than letting Facebook dictate the metaverse, it’s clear that many want a more decentralized approach. Through blockchain, users themselves can govern how the metaverse takes shape and evolves over time. The community can also muster all the resources needed to run a metaverse without corporate hands guiding it; operating nodes and application development can be a completely community-based business.

Thanks to Facebook’s rebranding of the metaverse as a concept, investors are now seeking exposure to metacoins – cryptos associated with metaverse projects. By investing in these pieces, buyers give their co-signature to the decentralized vision of the Metaverse.

While the metaverse exists largely in the sci-fi realm, there are plenty of options for investing in its blockchain-based future. Here are three meta pieces resembling the leaders of the peloton:

  • Decentraland (CCC:MANA-USD)
  • Ankr (CCC:ANKR-USD)
  • Infinite Axis (CCC:AXS-USD)

Meta Coins to Watch: Decentraland (MANA-USD)

Source: shutterstock.com/Piotr Swat

With these metacoins, investors are exposing themselves to another rapidly growing class of cryptocurrencies, following in the footsteps of games on non-fungible tokens (NFTs). Each presents a different perspective on the metaverse and its contribution.

Decentraland is one of the brightest examples of what a decentralized metaverse should look like. With Decentraland, you can jump into the metaverse right now, create an avatar and enter a three-dimensional social space. The network is fully owned and operated by its users. No company has a say in how the network works or what changes it will bring; it all depends on the users themselves.

Recently, the network has seen great success in linking social interaction and live entertainment with its Métavers Festival. Users could visit and congregate virtually to listen to live music; a variety of artists performed at the event, including electronic dance music producer and festival headliner Deadmau5.

Axie Infinity (AXS-USD)

Axie Infinity AXS Token Symbol with Cryptocurrency Themed Banner

Source: WindAwake / Shutterstock.com

Likewise, Axie Infinity offers users its own take on the metaverse. The NFT based video game invites users to breed unique creatures to fight against other real players. There is also an element of metaverse in the top-down of the game. characteristic of the homeland, where users buy plots of land and commune in virtual cities.

Through gambling, users can also generate real passive income just by playing, allowing some to immerse yourself in the metaverse as a means of earning a living.

Meta Coins to Watch: Ankr (ANKR-USD)

ANKR: A visual representation of the Ankr cryptocurrency

Source: karnoff

Ankr is not a metaverse game per se, but rather a network interested in pushing Web3 development. Web3, an evolved version of the Internet as we know it, will see the web moved to blockchain. Apps will become faster and more secure, and freedom of speech will be enhanced and uninfluenced by higher powers. As such, it is an important space for the future of the Metaverse; the two industries share common goals and will likely contribute to the success of the other.

With Ankr, users can easily create and manage their own nodes. The nodes can then be deployed on different blockchains. There, users can automatically validate transactions and help better streamline the new decentralized web.

Additionally, a cryptic tweet from Ankr’s founder has many investors speculating that the network could herald a bigger role in the future of the Metaverse.

At the time of publication, Brenden Rearick had (directly or indirectly) no position in any of the stocks mentioned in this article. The opinions expressed in this article are those of the author, subject to the publication guidelines of InvestorPlace.com.


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Utopia Music acquires Lyric Financial https://evolutioninternational.net/utopia-music-acquires-lyric-financial-2/ https://evolutioninternational.net/utopia-music-acquires-lyric-financial-2/#respond Mon, 01 Nov 2021 21:36:17 +0000 https://evolutioninternational.net/utopia-music-acquires-lyric-financial-2/ Utopia Music’s strengths pair well with Lyric Financial’s data analysis to determine how much funding it can provide an artist. Its core product is an online platform for creators, rights holders, and collecting societies that tracks global usage data and maximizes catalog revenue. Its slogan is “a fair wage for every room”. A separate service […]]]>

Utopia Music’s strengths pair well with Lyric Financial’s data analysis to determine how much funding it can provide an artist. Its core product is an online platform for creators, rights holders, and collecting societies that tracks global usage data and maximizes catalog revenue. Its slogan is “a fair wage for every room”. A separate service for investors helps them assess and assess the risks when acquiring a registration or publication catalog. In September, Utopia acquired artificial intelligence startup Musimap to improve recordings metadata – information about performers, songwriters, and rights holders that requires precision in order for parts to be paid properly.

Investors and the companies they support are increasingly funding artists who turn to Chance the Rapper, which has landed three albums in the Billboard 200 chart without the backing of a major record label, as a plan for success. while retaining their intellectual property. In some cases, well-known artists have used their independence from the traditional majors business model as a sort of bragging rights: 2 Chainz, 21 Savage, Iggy Azalea, Yo Gotti, Torey Lanez and Rich the Kid also boasted. to have their masters on Instagram or in interviews.

Their attitudes help explain Shamrock Capital’s recent entry into independent music. Best known for purchasing Taylor Swift’s Big Machine Era Catalog on Braun scooterSB Projects, the company announced in July that it had raised nearly $ 200 million for its first Debt Opportunities Fund to provide loans to creators of music, film, television, games and games. sports. The fund will be managed by Shamrock partners and other investment professionals in Los Angeles, including pension funds, foundations and financial institutions.

The practice of advancing money against future royalties is ingrained in the music industry. For many labels, receiving advances was an important part of album release and artist development. The practice has spread into the streaming age, as Sony’s The Orchard, Universal Music Group’s Ingrooves, and a host of independent distributors vying for labels to increase their market share. “It was really the duty of the majors to give serious advances in general to their clients or artists, and this really had an impact on the independent industry,” explains a distribution manager.

Independent music distributors have attracted hundreds of millions of dollars in recent years. As recently as last week, UnitedMasters raised $ 50 million for a valuation of $ 550 million in a Series C round led by Andreessen Horowitz, which followed a $ 50 million Series B round in March led by Apple which also included Andreessen Horowitz and Alphabet. Downtown Holdings acquired FUGA in January 2020 and CD Baby in March 2019. Believe, a Paris-based company that provides a variety of services to independent artists and labels, raised $ 365 million in an IPO and currently has a market capitalization of 1.73 billion euros ($ 2 billion).

Advances from companies such as Lyric Financial and Sound Royalties, and alternative funding from companies such as Indify and SongVest, are required to provide the capital required for self-funded registrations. In the past, a manager could finance the release of an album, or the artist paid or found an investor. Autonomy aside, artists simply need funding to produce music themselves. A longtime industry professional says a $ 100,000 advance would be enough to work on an album, but can go quickly. “A good publicist costs between $ 3,000 and $ 5,000 per month,” they said. “It’s not uncommon to spend $ 10,000 on online advertising. And hiring an artist services consultant can cost anywhere from $ 3,000 to $ 5,000 per month.

“There are a lot of moving parts” in running a record label for an artist, adds industry veteran Fred Croshal, whose clients include Jackson Browne and Bonnie Raitt. “With the amount of music uploaded to platforms and streamed daily or weekly, you can understand that competitiveness means you need to have financial resources to build competitive assets. If an artist’s track takes off on streaming services, it may need marketing and promotion resources faster than royalties can pass from streaming companies to artists’ pockets, Lyric Financial CEO said . Eli ball. “It’s not like you put out a record every 18 months and follow it on tour. Now, to keep your fans, you need to constantly engage with them.

Today’s music industry is well suited to cash advances: lenders, whether it’s a finance provider or a digital distributor, can look at the predictable and recurring streaming royalties of ‘an artist and model an appropriate amount of support. The loans would be radically different if the artists’ only royalties were from CD sales, which arrive in batches and are curtailed by merchandise returned from stores, as well as infrequent sync licenses from TV show placements, movies, advertisements and other visual media. But streaming royalties reduce the guesswork a lender faces about the amounts and timing of payments from various streaming services.


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Reunion 2021 unites the global SNHU community https://evolutioninternational.net/reunion-2021-unites-the-global-snhu-community/ https://evolutioninternational.net/reunion-2021-unites-the-global-snhu-community/#respond Mon, 01 Nov 2021 19:38:33 +0000 https://evolutioninternational.net/reunion-2021-unites-the-global-snhu-community/ Southern New Hampshire University’s 10th Annual Homecoming brought together alumni, current students, faculty, staff, families and friends from around the world to celebrate their collective Penmen pride in October. Members of the SNHU community joined them from their individual spaces for festivities centered around the theme: “Home Sweet Home (coming soon)”. While the ongoing pandemic […]]]>

Southern New Hampshire University’s 10th Annual Homecoming brought together alumni, current students, faculty, staff, families and friends from around the world to celebrate their collective Penmen pride in October. Members of the SNHU community joined them from their individual spaces for festivities centered around the theme: “Home Sweet Home (coming soon)”.

While the ongoing pandemic fostered the entirely virtual nature of the event, the format ensured inclusion of the entire community – a point that was recognized and appreciated by many attendees throughout Homecoming. The Office of Student Engagement and the Alumni Engagement Team of the Office of Institutional Advancement have organized over 20 live virtual events and on-demand activities that will take place over four days.

On-demand activities included a scavenger hunt, photo contest, and virtual 5K. The live virtual events featured a country artist Angie k and magician Michael kent, plus bingo, yoga, an esports tournament viewing night, connection opportunities and more. The Alumni Board of Directors also held its annual meeting as a live broadcast event, in which five recipients of this year’s Alumni Awards were announced.

Connect with the SNHU community

A collage of SNHU study spaces and loot submitted to Eye Spy SNHU activity and winner Soulivanh Rattanavong in the center.

The SNHU Community Connections live event offered two sessions to provide flexibility in attendees’ schedules. Both sessions reached their full capacity with state representation across the United States – from New Hampshire to California – and internationally from Malaysia and Antigua. This allowed attendees to connect, and they also learned about upcoming programs and regional event opportunities to stay engaged.

At the opening of each session, the SNHU guidance counselors Christophe dodds and Tom patria spoke about the value of networking and provided tips that participants could immediately use as they moved through themed chat rooms. Being encouraged to share a proudest or favorite SNHU moment sparked a reflection on the milestones in SNHU’s evolution – from formerly New Hampshire College to the SNHU campus known today, as well as the online student experience. . Another theme of the breakout room focused on individual passions, revealing that community service, finance, and pop culture are in the interests of the community.

The Building Connections sessions made it possible to establish many new connections – and a few reconnections. “The conversation went very smoothly in both sessions and in all the different chat rooms, with most people willing to participate and make connections. It was fun to “see” people from so many areas of SNHU, even on a screen, ”said the deputy director of alumni engagement. Rebecca Lazinsk ’17G, who was the organizer of the event.

Zaky Ahmady ’97, a Malaysian alumnus who graduated from New Hampshire College in the late 1990s, said he keeps in touch with many of his New Hampshire College friends online today. He also expressed his enthusiasm for the virtual Homecoming lineup to allow him to participate, which has not been easy to achieve in recent years due to the location barrier.

Creativity, fun, learning and laughter

In addition to the two Building Connections sessions, the live virtual events calendar provided nine other opportunities for the SNHU community to connect, create, learn, have a little laugh and be entertained.

The audience for the BYOP (Bring Your Own Paint) painting evening included a mix of families and individuals who received painting lessons accessible to all ages. The event allowed participants to learn while making contact with their creative side.

The instructor created an atmosphere of forgiveness and encouragement, manifested when he provided a self-critical student with a different perspective. When the student noticed that they had “ruined (their) tree” because they painted their branches too wide), the teacher replied that this might be a good opportunity to enlarge the trunk.

A collage of paintings and SNHU community members from the virtual BYOP Paint Night.

A family went straight from the painting event to Angie K’s country music performance – and were seen singing from the start. Angie K stole the show, delivering more than music to her audience. Between song requests, she shared stories, including recollections of her time on “The Voice,” noting that Blake Shelton is “much bigger than you can imagine”.

With her welcoming personality and great sense of humor, Angie K easily connected with attendees of her event.

“People seemed to really enjoy the event,” said the senior associate director of alumni engagement and event organizer. Sara telfer.

Monika Henderson and friend, playing Big Money Bingo during SNHU Homecoming Along with bonding within the SNHU community and BYOP Paint Night, Big Money BINGO saw the greatest turnout. The game was projected onto a screen in SNHU’s Last Chapter Pub, where campus students played with portable bingo cards while hundreds of virtual players generated their cards via an online link.

“Even though we didn’t win, we still enjoyed playing bingo with the whole SNHU! #SNHUhomecoming #PenmenPride ”, posted Monika Henderson in the discussion on the Facebook Homecoming event.

Several links have brought excitement to the game. Bingo Host and Past President of CAPE Ashley Kaminski ’19 asked players to share their favorite part of Homecoming, which inspires them and more. The active chat box was proof that there was no shortage of engagement in this live virtual tradition.

Fun for the whole family

A piece of paper with the notes from the family home scavenger hunt written on it.At SNHU, Penmen’s pride extends to personal networks. Homecoming’s on-demand program was packed with family fun for everyone. Social networks of SNHU alumni were animated by comments from participants enjoying the “choose your adventure” and “do anywhere” activities.

Another activity was a family home scavenger hunt, which asked participants to print out a checklist of items to look for around their homes. “The printer decided not to work today, but the little one enjoyed the treasure hunt,” said Tiffany Martin ’20G, who finished the activity with his son, Declan.

5K participant Travis Coley holding a sign with the text 2021A long-time favorite, the Virtual 5K, offered the opportunity for participants to share photos of their run, walk, roll or jog. Travis Coley ’18, who drove from New York City to volunteer at Homecoming two years ago, participated in Virtual 5K this year while running in a park near his home. You can see Coley and other familiar faces in these photos 5K.

The event organizers asked members of the SNHU community to show how they display their Penmen pride by entering the “Eye Spy SNHU” photo contest in Your Home Sweet Home. Photo submission by Soulivanh Rattanavong ’19MBA won the most votes, earning him a limited edition SNHU Homecoming 2021 t-shirt.

And, to help members of the SNHU community display their Penmen pride, the Alumni Engagement Team mailed SNHU loot packages to 200 randomly selected attendees during Homecoming week.

Alumni recognized for their exceptional contributions

Five alumni who have demonstrated a commitment to the SNHU community were recognized at the annual virtual SNHU alumni board meeting. SNHU President Dr. Paul J. LeBlanc delivered opening remarks at the meeting, expressing his gratitude for these individuals’ dedication to SNHU.

Emerging Leader Award

Aarron Dupuis’ 19MBA received the Emerging Leader Award for his active involvement both as an Online Student Leader and as a New Engaged Alumni Leader in the fields of Global Days of Service, SNHULEADS Conference and as a Board Member SNHU Alumni Administration.

Michael Williams ’16 ’18G received the Emerging Leader Award for her passion for mentoring and leading fellow online student leaders, her commitment to building community, and her ongoing strong presence on how SNHU alumni add value to global communities in which they live and serve.

Distinguished Alumni Service Award

Polly St. Hilaire ’76 ’84MBA received the Distinguished Alumni Service Award for decades of community involvement on campus. Beginning as an active student leader at then-New Hampshire College and through the many leadership roles she held in residency life, she continues to nurture student and alumni success throughout her years. over 35 years of service and as a proud alumnus of SNHU. .

Distinguished Service to Alumni Award

SNHU Equity and Inclusion Director for Learner Success Helen Iaquinta received the Distinguished Service to Alumni award. She was selected for her contagious enthusiasm in engaging and celebrating the diversity of the SNHU community and her volunteer leadership in events like Queen City Pride to ensure that the SNHU community is represented, celebrated and affirmed.

Alumni Hall of Fame Award

Gary St. Hilaire ’86 received the Alumni Hall of Fame Award for building successful careers and achieving key leadership roles in the healthcare industry, sustained community engagement and philanthropic support from SNHU students during many years as they work to build goal-oriented careers and lives with a foundation of an SNHU degree.

Learn more about the Alumni Award for more information. An in-person awards ceremony is scheduled for late spring 2022.

You can find more pictures here of this year’s Homecoming festivities.

Jessica Winter is Director of Communications for Institutional Advancement at Southern New Hampshire University. Connect with her on LinkedIn.


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Jazzy Sundays in Buffalo Bayou Park https://evolutioninternational.net/jazzy-sundays-in-buffalo-bayou-park/ https://evolutioninternational.net/jazzy-sundays-in-buffalo-bayou-park/#respond Mon, 01 Nov 2021 19:00:00 +0000 https://evolutioninternational.net/jazzy-sundays-in-buffalo-bayou-park/ Photo courtesy of Buffalo Bayou Partnership Take it easy, with breeze every week in November during the free Jazzy Sundays in the Park concert series at The Water Works in Buffalo Bayou Park Sunday through Sunday, November 28, 2021 from 4 p.m. to 6 p.m. Celebrating the legacy and evolution of jazz in Houston, features […]]]>

Photo courtesy of Buffalo Bayou Partnership

Take it easy, with breeze every week in November during the free Jazzy Sundays in the Park concert series at The Water Works in Buffalo Bayou Park Sunday through Sunday, November 28, 2021 from 4 p.m. to 6 p.m.

Celebrating the legacy and evolution of jazz in Houston, features exceptional performances by Texas-based openers and headliners.

Bring a meal, a blanket and a lawn chair. Food and drink will be available for purchase.

This series, which ends this month, was curated in collaboration with Discovery Green and Emancipation Park, and made possible through a grant from the Kinder Foundation.

Free spaces on the lawn are available for reservation. Reserve your place here Where learn more.

Jazzy Sundays in the November park Concert Align

  • David Caceres, with Horace Gigsby | Sunday, November 7, 2021
  • Jewel Brown, with RADS Krusaders | Sunday 14 November 2021
  • The Peterson Brothers | Sunday 21 November 2021
  • Crystal Thomas, with Eastside Kings with Orange Jefferson | Sunday, November 28, 2021

Check for updates or find out more.

Jazzy Sundays in the Park at the Water Works in Buffalo Bayou Park

Photo courtesy of Buffalo Bayou Partnership

This article was sponsored by the event organizer. In accordance with our advertising and sponsorship policy, we only accept sponsored content from organizations that meet our editorial standards and truly present an activity, event, resource or destination of value to residents and visitors of the greater Houston area. Advertising revenue helps support 365 Things to Do in Houston and our backers, allowing us to expand our coverage of activities and events in the Houston area. Click here to learn more about promoting your event or business.


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Is this GT-R powered VW Beetle Junker a waste of a Skyline engine? In short, no https://evolutioninternational.net/is-this-gt-r-powered-vw-beetle-junker-a-waste-of-a-skyline-engine-in-short-no/ https://evolutioninternational.net/is-this-gt-r-powered-vw-beetle-junker-a-waste-of-a-skyline-engine-in-short-no/#respond Mon, 01 Nov 2021 18:33:00 +0000 https://evolutioninternational.net/is-this-gt-r-powered-vw-beetle-junker-a-waste-of-a-skyline-engine-in-short-no/ Matt can. He’s the man behind this build, and his dedication to the project is worthy of all the appreciation you can spare. It took him six years to get there, and during those years he even had to learn TIG welding just to be able to build the roll bar himself. It might sound […]]]>
Matt can. He’s the man behind this build, and his dedication to the project is worthy of all the appreciation you can spare. It took him six years to get there, and during those years he even had to learn TIG welding just to be able to build the roll bar himself.

It might sound like a control freak or something, not trusting anyone else with their car. In reality, the explanation is much simpler than that: he just lacks the financial resources to have the car built for himself by someone else. Along the way, however, we suspect he started to enjoy the idea of ​​doing it all himself, so it became more of a challenge than a necessity.

Like so many other great things, this car too was born by chance. Matt, the owner, got kicked out of a garage he was renting, and since trailer services are expensive (not everyone has friends with a truck and trailer in the UK), he glued the body of the Beetle (his very first car) to the top of a BMW E36 chassis (his first drift car). And it just clicked.

No, not the body and the chassis – those two needed a lot more conviction before they became one unit – but the idea in his head did. It took six years to get to where we are now, and we think you’ll agree that a lot of people seeing this car will think it’s far from over.

Indeed, at least from an aesthetic point of view, it looks exactly like it really is: a collection of parts from different cars. So it has the chassis of a BMW E36, the bodywork of several (at least two) Volkswagen Beetles, the limited slip differential of a BMW M3 and, perhaps most importantly, the engine and transmission of a Nissan GT-R.

As for the result, it is a car weighing about a ton (or 2,200 pounds) with a turbocharged inline six capable of developing up to 510 horsepower behind the wheel. Considering that all of the vehicles that make up this Frankensteinian creation feature rear-wheel drive architecture, it’s no surprise that Matt’s drive also sends all that power to the rear wheels only. It is, after all, a drift car at heart.

Matt and his RB25-powered BMW Beetle are guests on UK Motor Addicts YouTube channel, though we think we might be seeing more of this pair now that construction is complete – well, at least the mechanical part. After the mandatory static presentation – it’s vastly more captivating than what we usually get with clean, professional customs – it’s time for Matt and channel host Owen to take a ride.

The moment they come out – well, drift all over the place, more like that – it’s immediately clear that this isn’t going to be an ordinary experience. Not for Owen, a man acclimatized to speed, but not necessarily adrift, and not everyone on the road that day. You only have to look at the poor Land Rover driver they meet for the first time and imagine what he must have been thinking. Probably something involving “kids” and “nowadays”.

“It’s predictable, you know exactly how it’s going to work”, Owen said, right after Matt did some crazy steering maneuvering to keep the E36 Beetle Skyline straight on wet and slippery UK roads. “Yeah,” Matt says, and, after a very short pause, adds: “It always scares me every time.” He wasn’t kidding.

Do you know how YouTube auto-generated subtitles can mess things up very easily? Well, as of today, the functionality has earned our eternal respect because, during one of the Beetle passes where it knocked the RB25 into oblivion, the caption said “[Music]It can sometimes be hard to distinguish between ‘pink tutu’ and ‘stink’ but he knows how to appreciate and describe a beautiful sounding engine, and that’s all that matters in our book.


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RTI expands its distribution in Canada with Evolution https://evolutioninternational.net/rti-expands-its-distribution-in-canada-with-evolution/ https://evolutioninternational.net/rti-expands-its-distribution-in-canada-with-evolution/#respond Mon, 01 Nov 2021 18:16:31 +0000 https://evolutioninternational.net/rti-expands-its-distribution-in-canada-with-evolution/ RTI expands its presence in the Canadian market with a second distributor Staff TWICE ⋅ Posted: November 1, 2021 Expanding its presence in North America, leading control and automation manufacturer RTI announced that it has appointed Evolution Home Entertainment Corp., a wholesale distributor of home technology products, as RTI’s second distribution partner for the market. […]]]>

RTI expands its presence in the Canadian market with a second distributor

Expanding its presence in North America, leading control and automation manufacturer RTI announced that it has appointed Evolution Home Entertainment Corp., a wholesale distributor of home technology products, as RTI’s second distribution partner for the market. Canadian.

Evolution LogoEvolution serves over 500 dealers across Canada, who now have the ability to obtain certification for the full line of RTI smart home control and automation products. With products shipped nationwide from its warehouse in Concord, Ontario, Evolution will also provide local dealer training and support to its dealerships installing RTI systems.

“We are firmly committed to the Canadian market,” said Jim Koenig, Director of Sales for RTI North America. “With its dealer-centric approach, Evolution is the perfect distributor partner to add to our current operations across the country, enabling more integrators to delight customers with more RTI systems. “

“We are delighted to be able to offer RTI control and automation solutions to our dealer base,” said Brad Middleton, National Sales Director for Evolution. “RTI is a world-class command line that perfectly complements our portfolio of residential technology brands, enabling dealers to create truly exceptional experiences. “

About Evolution
Evolution brings together leading home entertainment and automation products to make life easier, while creating exceptional experiences to enrich the lives of Canadian home theater and music lovers through Canada’s leading electronics integrators and retailers who service their customers with enthusiastic, effective and efficient support. For more information, please visit evolutionhomecorp.com.

About RTI
RTI elevates the smart home and intelligent enterprise with an intuitive and powerful suite of control and automation solutions. RTI’s award-winning portfolio of remote controls, touchscreens, control processors and A / V distribution systems combine with the popular RTI Integration Designer® programming software, enabling integrators to deliver exceptional and custom control solutions to their clients. RTI solutions are available through a worldwide network of authorized resellers and distributors. More info on www.rticontrol.com.

See also: Crutchfield now distributes Juke Audio


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The endless evolution of Livity sound https://evolutioninternational.net/the-endless-evolution-of-livity-sound-2/ https://evolutioninternational.net/the-endless-evolution-of-livity-sound-2/#respond Mon, 01 Nov 2021 17:41:47 +0000 https://evolutioninternational.net/the-endless-evolution-of-livity-sound-2/ LABEL PROFILE The endless evolution of Livity sound By Will Pritchard November 01, 2021 When we meet Tom Ford, the Bristol-based DJ, producer and label manager, better known as Peverelist (sometimes Pev), it is complete Home improvement fashion. He has been up since dawn to apply a new coat of paint to his house – […]]]>

LABEL PROFILE
The endless evolution of Livity sound

By Will Pritchard November 01, 2021

When we meet Tom Ford, the Bristol-based DJ, producer and label manager, better known as Peverelist (sometimes Pev), it is complete Home improvement fashion. He has been up since dawn to apply a new coat of paint to his house – he wanted to continue the work, he says – and is currently waiting for it to dry. He also says he is “terrible at interviews”. Even so, Ford apparently unwittingly started the conversation with the most apt metaphor for his dance music career to date. Painting a house is a regular and methodical job. You cannot be overwhelmed by the magnitude of the task at hand. You just start in a corner and you get by. Let it dry, then come back to where you started and apply a second coat, working slightly differently each time.

This is, roughly speaking, how Ford has approached his various roles as a producer, DJ, record store manager and founder of two hugely influential labels over the past 20 years. He starts his work day when the rest of the world is still waking up and just keeps going, not obsessed with the big picture, just working outside of his corner of the world. This corner, for 24 years, is Bristol, in the south-west of England. This is where he first nurtured Drunk punch liberation and, finally, Sound of life, a dance label housed under the aegis of dub-techno. This year marks the 10th anniversary of the latter.



Raised in Essex, a county bordering north-east London, Ford’s earliest musical interests revolved around the hardcore rave scene of the ’80s and’ 90s. The sound populated both illicit parties in the fields scattered around London’s M25 orbital motorway, all the while weaving its way into popular consciousness via the nicer big beat sounds, such as Fatboy Slim, the Chemical Brothers, and The Prodigy.

For Ford, however, it was Bristol on the other side of the country where his real interest lay. He found more intrigue in the music of artists like Massive Attack and Smith and mighty. So, after turning 18, he moved west. And 24 years later, his vision for the city has only solidified. “I feel like London is very trendy,” he says, “There will be a new trend, and everyone will be on it, which is great; that’s how London works. Whereas in Bristol people take a step back and say, ‘Oh, this is interesting’ and then go do something else with it. Whether he admits it or not, Ford has been instrumental in developing his city’s side attitude.

After moving to the West, Ford began working at Rooted records, a shop specializing in dubstep, grime and other British underground sounds. It has also served as a hub for the city’s loose cabal of independent producers and DJs. This localist spirit is something Bristol has become famous for, both musically and otherwise. For much of the 10s he bragged about his own currency, the Bristol Pound, which aimed to move money through the local economy, as a way to support community and innovation. “Community is vital, isn’t it? This is where you get that constant feedback, and people keep you on their toes and come up with new ideas, ”says Ford,“ I think that’s probably essential, otherwise I’d be making extremely introverted music.

In 2006, he created a label to release music produced by local artists. Called Punch Drunk, the imprint focused on dubstep and helped solidify Bristol’s status as the ‘second city’ of sound. Ford reveled in the openness of the genre at the time and built a list that covered the dub workouts of RSD and Smith & Mighty; Guido’s poignant digital orchestration; as well as virtually unknown producers like Kahn, Tessela, and Hodge– who would all carve their own distinctive grooves on the UK club scene in the years to come.



Punch Drunk continued after Rooted Records closed in 2010, but dubstep had become a bad word by then, mainly thanks to its irrevocable entanglement with the giant ‘EDM’ scene that had exploded in the US “The dubstep Obviously changed a lot around that time, “Ford recalls, with a slightly pained chuckle.” I was playing concerts and people would come up to me and say, ‘Can you play dubstep?’ And I would say, you know, ‘I a m play dubstep. ‘ The stage architects had lost control over what dubstep represented in popular consciousness. Memes featuring laser dinosaurs and robots having sex felt far removed from the intelligent and often moving club music Ford had devoted his life to. “People would ask you what kind of music you make and you would say dubstep, and they would say, ‘I hate dubstep. It has become an untenable thing to keep doing. So he did it again.

Ford had already incorporated techno elements into the dubstep model (another Bristol resident, Appleblim, Dubstep Allstars Vol. 6 mix gave a home to a few striking early examples). From 2011, alongside Kowton and Asusu, he pursued this interest seriously under a new banner: Sound of life. Operating initially as a three-piece collective, comprising live performances, an NTS radio residency, and white label vinyl releases, the tent quickly expanded, attracting producers from further afield and spawning a sister label with an even more exploratory mandate, the unpronounceable Dnuos Ytivil (“I just call it ‘backwards’, says Ford). In many ways, the ingredients never changed: drums, bass and space. Slowing things down opened up more room for the latter. And more and more, this space has been filled with more melodic and textural elements (indeed, recent tracks on the label have drums abandoned almost entirely).

Livity Sound’s 10-year journey can be traced through his illustrations: from the rough, hand-stamped white labels of his early versions, to Dali’s cubist and cubist wanderings of his early color sleeve versions – on which these elements Drums, bass and space essentials collided in new and weirder combinations. Over the past three years or so, a clean and cohesive pastel lineup has reflected the melodic direction of Livity Sound and, perhaps, the limits the label found itself after a decade of exploration.

Musicians are still drawn to Bristol, as was Ford almost 25 years ago. Now Livity Sound is part of the attraction. Chad Leotaud, who is released on the label as Can do alongside Owen Roberts, told DJ Mag earlier this year that “Livity Sound was the only reason I moved to Bristol”. It’s not that this sort of anecdote risks shaking Ford’s ego – there’s always the reality of running a mostly DIY label to keep it down. “I get emails saying, ‘Can you pass this on to A&R,’” he laughs, “But it’s just me on a laptop on the couch. People think it’s bigger than it is, maybe.

Trying to disentangle Livity Sound and Ford of the British zeitgeist club – and figure out who’s driving who – is next to impossible. “You left me stumped over there,” he said, when asked if he thought Livity was responding to changes in the scene or was responsible for leading them. He also doesn’t seem too concerned with finding an answer. It’s a bit like looking at a freshly painted wall and figuring out where the first blow went. And Ford is already clearly thinking about adding the next new coat. In the meantime, here is a choice selection from Livity Sound’s discography so far.

RSD
Corner Dub (Blue & Red Mix) / Pretty Bright Light



Ford had been drawn to Bristol as a teenager in part by the songs composed by Rob Smith and Ray Mighty, so it made sense that he aimed to blend Punch Drunk into a similar sound. Despite its brevity, this two-track effort by Rob Smith, one of the label’s earliest releases, is a complete musical snapshot of Punch Drunk’s formative years: catchy drums; dubby and undulating basslines; and just a hint of sour experimentalism.

Peverelist
Roll With The Punches / Die Brücke



“Roll With The Punches” is, quite simply, one of the most iconic dubstep songs ever written: the synth lead is as instantly recognizable as it is irreplaceable, the off-center drums so despicable for DJs attempting a perfect mix , and then there’s the cavernous drop that brings it all together with such euphoric release. “Die Brücke” will forever be known as the turnaround of one of the best songs of the genre, but – slowing the pace – also has its own meditative qualities. It was Peverelist and Punch Drunk just getting started.

Peverelist, Kowton & Asusu
Sound of life



A time capsule of the label’s early excursions, this debut collection brought together hand-stamped tracks from the first set of white Livity Sound labels along with other formative moments (including the sub-rumbling Pev & Kowton collaboration “Raw Code “, first posted by kindred tag Hessle Audio) and some new experiences. Songs like “Aztec Chant”, “More Games” and “Too Much Time Has Passed” encapsulate the label’s open creative ideology. But hindsight has revealed that this compilation-slash-collective-LP is more of a turning point for the label than a model. As always, Ford was on the lookout for new ideas.

Alex coulton
Bounce / Bounce (Peverelist Remix)



With its twirling effects, rippling kicks, elastic hi-hat and deeply satisfying third act, the first single on Livity’s sister label “reverse” is pure pleasure, backwards. Peverelist amplifies the dub filters for the reverse, opening up acres of space for Coulton’s percussion to explode. Batu, Bruce, and Hodge, which have since become staples of the most interesting and innovative corners of British dance music.

Azu Tiwaline
Magnetic service



The label’s broadening of the geographic horizons allowed Ford to encounter like-minded sounds and scenes from further afield. A concrete example: Azu Tiwaline’s vision on Amazigh music, which incorporates all the familiar elements of dub and meditative techno, but reorganizes them for new, less club-oriented spaces. The hypnotic drums of “Terremer” and the ethereal harmonies of “Tessiture” are rooted in the origins of Livity Sound, while pointing to a future for the label which leaves room for a quieter contemplation.

DJ pleads
Go for it



Even as the label (and Ford himself) matures, sometimes favoring a slower pace, at least one foot remains firmly on the dance floor. So it is with the frenetic rhythms and dabkes of DJ Plead. As fascinated by hardcore ramifications like jungle and British funky as by folk dances from North Africa and the Middle East, Plead’s very individual exploration of this continuum continues to deliver riches. The title song sparkles – all hand drums and wooden blocks strike – at a breakneck pace, while “Espresso” sounds more like a gram of speed than a cup of coffee.


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