In anticipation of “10000 gecs” and beyond, a look back at the experimental, eclectic and dizzying debut album of 100 gec

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Sirens, trap beats, barking, guitar riffs, ringtones, orchestral instrumentals and screeching bass – these are just some of the sounds that 100 gecs, a duo formed by Dylan Brady, 28, and Laura Les, 27 years, assemble in the eclectic musical quilt of their 2019 debut album “1000 gecs”. In just 10 songs and 23 minutes, “1000 gecs features an experimental mix of genres including hyperpop, ska, post-dubstep, death metal and jazz, which Les and Brady blend to produce not the musical equivalent of a Smoothie Challenge concoction, but rather a catchy album that manages to keep every song chaotically fresh. In anticipation of the release of the 10000 gecs album “10000 gecs” in 2022, let’s take a look back at the frenetic collisions of unlikely sounds in “1000 gecs”.

Opening with “745 sticky,” a song about the cycle of work, spending money, and feeling “not good enough,” 100 gecs isn’t wasting time. Five seconds of pure, smooth synth rolls past, with a clean, self-tuned exhale, Les immerses the song in just over two minutes of messy screams, clear water drops, a distant singing crow, and hi-hat cymbals. Shortly after the halfway point, a steep drop of dubstep merges into what Les and Brady aptly call the “fuckin’ end” – a mosh pit of screams, thumping bass, howling sirens and barks of dog. The duo stitches together unpredictable passages that together create a gripping track with internet-speed transitions between hard-hitting drum hits and waves of muffled vocals.

100 gecs carries that dynamic, maximalist energy throughout the album to ensure that the songs never feel stale. “xXXi_wud_nvrstøp_ÜXXx,” an interpolation of Soulja Boy’s “Kiss Me Thru the Phone,” has a nightcore feel, with bubblegum vocals lifting Les’ voice as she professes she’s “crazy about you, baby.” . Its soft, melodic whispers, layered with sweeps of breezy white noise and glistening synth blobs, creep into a distorted, uplifting bass kick that adds a jarring vitality to the track.

100 gecs fail to turn quirky mayhem into musical delight in “I Need Help Immediately” and “gecgecgec”. The former features a weirdly disjointed and slightly janky collage of sounds from what could be both a high-stakes game show and a horror video game. There are bending sax clips, chorus echoes, sirens and snippy bass. The other low point, “gecgecgec,” combines muted trumpet calls and electric piano notes with a robotic buzz of “gecgecgec…” that ages before the copypasta lyrics end. Both of these tracks lack a steady background beat (like the drums in “745 sticky”) that adds cohesion and elevates the rest of “1000 gecs” from a shrewd, muddled hodgepodge to a magnetizing collection of candy. for the ears.

“money machine” and “ringtone” do more than enough to make up for the album’s hiccups. “money machine,” 100 gec’s most popular song to date, begins with a rousing Dobro slide before Les narrates the album’s most memorable lines. “Hey little lil baby, do you think you’re so cool?” she growls before delivering a scathing roast: “you speak a lot for someone with such a small truck.” His taunts are reminiscent of something a college kid might type into a public Minecraft server’s chat, and Les adds a cocky edge to them that infuses the lyrics with infectious humor. Tucked into the middle of the album, “ringtone” serves as a brief respite from the eardrum-blasting chaos. Most of the song is stripped bare to highlight Les’s self-tuned vocals. Even when Brady’s distorted vocals play over shaky bass, the track retains a relaxed approachability and charming atmosphere that makes it a much-loved interlude.

1000 geks delivers a fun and funky musical fusion of messy melodies and seemingly disparate genres to its listeners. Though the album’s bizarre soundscape can sometimes feel slightly abrasive and jarring, Les and Brady deftly infuse the album with an absurd, anarchic energy that makes every track vibrate with disorienting volume.

Now, as they perform at Coachella, Les and Brady prepare to drop “10,000 gecsin the near future, that they promise will be – true to its name – “10 times better than the last”. Their new single, “Doritos & Fritos,” joins “mememe” as a second look at the kinds of sounds “10000 gecs” has in store for fans.

“Mememe” and “Doritos & Fritos” both stray from the eclectic chaos that defined 100 gecs’ debut album, but retain Les and Brady’s genre-focused approach to music. Both singles are more in line with what one would expect from mainstream pop, with a mash of less intentional, albeit unconventional, dizzying and unexpected sounds and more cohesive, smoother instrumentals to tie it all together. “mememe” features playful electronic synth, thumping bass and crashing drums, and as the song progresses, Les’s natural vocals begin to play prominently in the second verse and bridge. This new twist is also present in “Doritos & Fritos”, where Les’ vocals allude – at least compared to earlier songs – to autotune, but come through clearly as manipulated guitar riffs and glitchy bass define a comfortably steady instrumental accompaniment and Brady whips up meme-like lyrics as he sings “eat burritos with Danny Devito.”

PPerhaps “Doritos & Fritos” and “mememe” are more predictable than the kind of music 100 gecs have produced in the past. They are more accessible, as if the chaos of the first album was distilled, refined. For those who came to 100 gecs looking for the thrilling and moving combination of sounds that shines through on their debut album, this might not be your cup of tea. Yet, without a doubt, with “10000 gecs”, Brady and Les open a new chapter in their career, one that promises an evolution of musical style that is worth following.

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